A-frame

Aaberg, Denny

Aaberg, Kemp

Abberton, Koby

Abbruzzi, Sid

Abellira, Reno

Abubo, Megan

academia and surfing

Adler, Tom

advertising and surfing

Aeder, Erik

aerial

Aguerre, Fernando

Aichner, Scott

Aikau, Clyde

Aikau, Eddie

Aipa, Ben

air-drop

airbrush

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alaia board

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alcohol and surfing

Alexander, Kala

Alexandre, João (Dapin)

Allen, Chuck

Alms, Paige

aloha shirt

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Alvarez, Pepe

Ancell, Kevin

Andaman Islands

Andersen, Lisa

Anderson, Craig

Anderson, Simon

Andino, Kolohe

Angel, Jose

angle

Angola

Angourie

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Apocalypse Now

Arabian Sea

Aragon, Janice

Arakawa, Eric

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Arena, Eduardo

Ashton, Juan

Association of Surfing Professionals (ASP)

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August, Robert

Aurness, Rolf

Auster, Ken

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Baker, Grant “Twiggy”

Baker, Tim

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Ballard, Bill

Ballard, Rochelle

balsa

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Barbados

Barilotti, Steve

Barland, Michel

Barreda, Sergio “Gordo”

Barry, Michael

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Baxter, Jackie

Bay of Bengal

Beach Boys, The

Beacham, Debbie

beachboys

beachbreak

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Beachley, Layne

beavertail

Becker, Phil

Bedford-Brown, Stuart

Belgium

Bells Beach

Bendall, Ma and Pa

Bennett, Barry

Benson, Becky

Benson, Blanche

Benson, Linda

Bermuda

Warner Brothers' 1978 coming-of-age surfing movie directed by John Milius, starring Gary Busey, Jan-Michael Vincent, and William Katt; initially a critical and box-office dud, but rehabilitated over the years into a cult favorite.

While Hollywood made about two dozen surf-themed movies in the '60s, including the cartoonish 

, a fairly straightforward drama), the $11 million PG-rated 

 was the only movie of its kind in the '70s. Milius and Denny Aaberg, 

 cowriters, were both Malibu regulars in the early and mid-'60s; "No-Pants Mance," Aaberg's lightly fictionalized account of his salad days at Malibu, published in 

 magazine in 1974, became a thumbnail sketch for 

 storyline takes place over 12 years, from 1961 to 1974, and follows three friends—the straight-shooting Jack Barlow (Katt), the raunchy but amiable Leroy "The Masochist" Smith (Busey), and hot-shot surfer/alcoholic Matt Johnson (Vincent)—as they evolve from party-loving local surf heroes into young adults dealing with friendship, love, marriage, war, and death. After drifting apart during the counterculture years, the three surfers reunite at the film's climax to face an afternoon of huge, dangerous, metaphorically cleansing surf, "a day like no other," as the sagacious boardbuilder known as Bear forecasts early in the film.

Warner Brothers hired a top crew of surf world cameramen, including Greg MacGillivray, George Greenough, Dan Merkel, and Bud Browne, to film the 

 action sequences. Stunt-double surfers included Peter Townend and Ian Cairns, the 1976 world champion and runner-up, respectively, along with Jackie Dunn, Bill Hamilton, J Riddle, and Bruce Raymond. Pipeline maestro Gerry Lopez plays himself in a cameo.

 are well-paced and beautifully photographed. But the movie itself was panned by both the mainstream and the surf press. "The dialogue is embarrassing," 

 magazine wrote, "the fight scenes are ridiculously overdone, the soap opera scenes are too long, and the surfing scenes are too short." In a 1981 

 article about self-indulgent directors, an anonymous movie insider said "John Milius got millions from Warner's to make a 'personal movie' about surfing, and if anyone liked it except him, I'd be surprised."

 was pulled from theaters after taking in a disappointing $4.5 million at the box office (the film cost $11 million to make), then it slowly but steadily found new life as a video rental. By 1998 the turnaround seemed complete. 

 was shown at the Newport Film Festival, a 20th-anniversary party reunited the cast and creators, and the 

 reported that the film was "one of the very few to really capture the surfing life."

 magazine also changed its view, saying that "

, however, felt that time had done nothing to improve the film, calling B

 as "flat and mawkish" as it had been when it debuted, and crediting its newly elevated status as "another triumph in Baby Boomer nostalgia marketing."

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