A-frame

Aaberg, Denny

Aaberg, Kemp

Abberton, Koby

Abbruzzi, Sid

Abellira, Reno

Abubo, Megan

academia and surfing

Adler, Tom

advertising and surfing

Aeder, Erik

aerial

Aguerre, Fernando

Aichner, Scott

Aikau, Clyde

Aikau, Eddie

Aipa, Ben

air-drop

airbrush

Airshow

Ala Moana

Alabama

alaia board

Alaska

alcohol and surfing

Alexander, Kala

Alexandre, João (Dapin)

Allen, Chuck

Alms, Paige

aloha shirt

Alter, Hobie

Alvarez, Pepe

Ancell, Kevin

Andaman Islands

Andersen, Lisa

Anderson, Craig

Anderson, Simon

Andino, Kolohe

Angel, Jose

angle

Angola

Angourie

Antarctica

Apocalypse Now

Arabian Sea

Aragon, Janice

Arakawa, Eric

Archbold, Matt

Arena, Eduardo

Ashton, Juan

Association of Surfing Professionals (ASP)

Atlantic Ocean

August, Robert

Aurness, Rolf

Auster, Ken

Australia

Avalon, Frankie

Azores

backdoor

backside

backside attack, Pipeline

backwash

bail out

Bain, Rob

Baja California

Baker, Bernie

Baker, Grant “Twiggy”

Baker, Tim

Bali

Ball, John “Doc”

Ballard, Bill

Ballard, Rochelle

balsa

Baltic Sea

Banks, Jim

Barbados

Barilotti, Steve

Barland, Michel

Barreda, Sergio “Gordo”

Barry, Michael

Bartholomew, Wayne

Baxter, Jackie

Bay of Bengal

Beach Boys, The

Beacham, Debbie

beachboys

beachbreak

Beachcomber Bills Grand Prix

Beachley, Layne

beavertail

Becker, Phil

Bedford-Brown, Stuart

Belgium

Bells Beach

Bendall, Ma and Pa

Bennett, Barry

Benson, Becky

Benson, Blanche

Benson, Linda

Bermuda

Quiet and athletic surf photographer from Durban, South Africa, best known for his 1990s wide-angle images shot from inside the tube. "Guys like Chris van Lennep," Carve magazine wrote, "helped define our surfing world with their heavy-water photography."

Van Lennep was born (1959) in Durban, the son of a tire salesman father and accountant mother. He began surfing at 15, at Durban's Bay of Plenty, and two years later, using a Kodak Instamatic, started taking surf photographs of his brother and friends.

Unsure if photography would suffice as a career, van Lennep worked as a fitter machinist throughout his 20s.

Van Lennep's first published photo was a 1984 centerspread in the Durban-produced 

 surf magazine. In 1989, he became a senior staffer at 

, at which point he became a full-time photographer.

While van Lennep did portraiture, lineups, and land-based action photography, he mostly built on the dripping-wet edge-of-disaster style pioneered by Dan Merkel and further developed by Don King, in which the goal was to put the viewer within a breath's distance of the surfer, preferably in or around the tube.

 covers, all wide-angle water shots using a 15-mm "fisheye" lens (the only way to get close and also capture all or most of the surfer), including an inside-the-tube-looking-out image at Pipeline, captioned as "the view we all desire." As former 

 editor Jeremy Saville later recalled, by that time Van Lennep was "hugely respected, a living legend in South Afria; not quite on par with Shaun Tomson, but close."

, and in surf magazines worldwide. In 2000, 

Van Lennep, Chris

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Encyclopedia of Surfing

History of Surfing

The Sunday Joint

Encyclopedia of Surfing

History of Surfing

The Sunday Joint