Killer Cute

Lisa Andersen’s idea that women's surfing needed a "girly-girl" makeover was a champagne magnum smashing against the bow of Quiksilver’s new Roxy line, which then sailed off to become the flagship for the newest, richest, most sexed-up division of the surf industry. For two or three years, Roxy’s growth was merely steady. Then suddenly it exploded. Yearly revenue shot past $100 million in 1999 and reached $500 million by 2003, at which point the brand was stamped not just on surfwear, but swe...

Whatever feminist achievement the Roxy Girl phenomenon represented was narrow at best. It was empowerment by way of Lolita, strained through a hundred marketing meetings, and topped with a plastic lei.